What
can a girl do with a gun?
This
is the premise of the Janine Gutierrez starrer Babae at Baril, an official entry to the ongoing QCinema International
Film Festival.
(Spoiler alert: Some key scenes of
the movie will be discussed here)
The film begins by introducing
the audience to the city landscape that regular commuters can easily identify
as Cubao. Different angles of the setting were shown but the sense of horror
that ordinary Filipinos experience when they go through the tunnel or the overpass
bridge is felt ---- traffic jam, smog or even threats of possible physical harm
of any form.
When a timid yet angelic face of Gutierrez
graced the screen, you can’t help but smile because how can a movie go wrong
with a gun-slinging pretty woman on the lead role. But what is quite impressive
is how director Rae Red built the persona of Gutierrez from a silent, calm and
submissive saleslady to a tough reckless alpha woman. The movie is Red’s sophomore
feature and first solo directorial effort.
Gutierrez’ character was a victim of many predator’s
and unpleasant situations in the first part of the film. She held out against workplace
verbal abuse and unending catcalls day in, day out. Until the unfortunate night
came when she was raped by her co-worker (Felix Roco) who was a wolf in sheep’s
clothing. It was also the same night she found purpose to a gun she found right
on her doorstep.
The character build up was so effective that I
overheard someone from the back, “Ay, bakit di niya binaril sa mukha?”
This was when Gutierrez decided not to gun down Roco
when she was able to corner her after a chase scene. Anyone who is carrying a
yoke on their shoulder can relate to Gutierrez’ role and for sure is also
cursing in their head along with her when she fought back to all the people who
have wronged her in the past.
Aside
from vividly showcasing the realities of domestic physical abuse and office sexual
harassments, Babae at Baril also tackled extra judicial killings and even the
poor working conditions of many Pinoys are currently just bitterly swallowing
because of lack of opportunities and power-tripping bosses and their threats, “Kung
ayaw mong sumunod, huwag ka na nang babalik dito.”
My
favorite line in the movie is Gutierrez in-your-face –back-to-you anger growl
with gun pointed to Roco, “Gusto mong iputok ko sa ‘yo ito!?” which you will
only appreciate if you go watch the it during
festival run (October 13 to 22) at
Gateway Mall, Ayala Trinoma, Robinsons Galleria, UPFI Cine Adarna, Cinema ’76
Anonas, and Cinema Centenario in Quezon City.
The film also stars Elijah
Canlas, JC Santos, and Sky Teotico with special participation of Ruby Ruiz,
Allan Paule, and Archie Adamos.
The musical scoring is also commendable. The sounds were on point to set the mood of the scenes. The classic rock hit "Magnanakaw" by Asin is fit to the film and was played timely in during some of the more important film sequences.
The musical scoring is also commendable. The sounds were on point to set the mood of the scenes. The classic rock hit "Magnanakaw" by Asin is fit to the film and was played timely in during some of the more important film sequences.
You better watch Babae at Baril
because depending of its success, I personally see at least a part 2 or
spin-offs based on the lives of the other characters. Whatever happened to
Gutierrez’ female dorm mate who was a victim of physical and sexual abuse? Or
the young step sister of the EJK victim? Or Cruz, the employee of the month awardee
whom Gutierrez bumped into during a bus ride? They all seem have interesting
back stories to tell. Remember that there is a box-full of guns shown in the
middle of the movie which were never seen again.
In today’s
world, women in many developed countries now enjoy equal rights to men. However,
reality bites that there are still gender stereotypes that pervade our culture.
Films like Babae at Baril maybe
the shot in the arm our society need. Maybe.
Babae at Baril is one of the three recipients of
production grants amounting to P1.5 million each from QCinema and is presented by Cignal Entertainment in partnership with Epicmedia. The movie will
be competing along with Glenn Barit’s The Cleaners and Arnel Barbarona’s Kaaway
sa Sulod, and against entries from Thailand, Indonesia, Malaysia, Laos, and
China.