Wednesday, October 16, 2019

Babae at Baril: A shot in the arm to a society of gender stereotypes




What can a girl do with a gun?

This is the premise of the Janine Gutierrez starrer Babae at Baril, an official entry to the ongoing QCinema International Film Festival.

(Spoiler alert: Some key scenes of the movie will be discussed here)

The film begins by introducing the audience to the city landscape that regular commuters can easily identify as Cubao. Different angles of the setting were shown but the sense of horror that ordinary Filipinos experience when they go through the tunnel or the overpass bridge is felt ---- traffic jam, smog or even threats of possible physical harm of any form.

When a timid yet angelic face of Gutierrez graced the screen, you can’t help but smile because how can a movie go wrong with a gun-slinging pretty woman on the lead role. But what is quite impressive is how director Rae Red built the persona of Gutierrez from a silent, calm and submissive saleslady to a tough reckless alpha woman. The movie is Red’s sophomore feature and first solo directorial effort.

Gutierrez’ character was a victim of many predator’s and unpleasant situations in the first part of the film. She held out against workplace verbal abuse and unending catcalls day in, day out. Until the unfortunate night came when she was raped by her co-worker (Felix Roco) who was a wolf in sheep’s clothing. It was also the same night she found purpose to a gun she found right on her doorstep.

The character build up was so effective that I overheard someone from the back, “Ay, bakit di niya binaril sa mukha?”

This was when Gutierrez decided not to gun down Roco when she was able to corner her after a chase scene. Anyone who is carrying a yoke on their shoulder can relate to Gutierrez’ role and for sure is also cursing in their head along with her when she fought back to all the people who have wronged her in the past.

Aside from vividly showcasing the realities of domestic physical abuse and office sexual harassments, Babae at Baril also tackled extra judicial killings and even the poor working conditions of many Pinoys are currently just bitterly swallowing because of lack of opportunities and power-tripping bosses and their threats, “Kung ayaw mong sumunod, huwag ka na nang babalik dito.”

My favorite line in the movie is Gutierrez in-your-face –back-to-you anger growl with gun pointed to Roco, “Gusto mong iputok ko sa ‘yo ito!?” which you will only appreciate if you go watch the it  during festival run (October 13 to 22) at Gateway Mall, Ayala Trinoma, Robinsons Galleria, UPFI Cine Adarna, Cinema ’76 Anonas, and Cinema Centenario in Quezon City.

The film also stars Elijah Canlas, JC Santos, and Sky Teotico with special participation of Ruby Ruiz, Allan Paule, and Archie Adamos.

The musical scoring is also commendable. The sounds were on point to set the mood of the scenes. The classic rock hit "Magnanakaw" by Asin is fit to the film and was played timely in during some of the more important film sequences.

You better watch Babae at Baril because depending of its success, I personally see at least a part 2 or spin-offs based on the lives of the other characters. Whatever happened to Gutierrez’ female dorm mate who was a victim of physical and sexual abuse? Or the young step sister of the EJK victim? Or Cruz, the employee of the month awardee whom Gutierrez bumped into during a bus ride? They all seem have interesting back stories to tell. Remember that there is a box-full of guns shown in the middle of the movie which were never seen again.

In today’s world, women in many developed countries now enjoy equal rights to men. However, reality bites that there are still gender stereotypes that pervade our culture. Films like Babae at Baril maybe the shot in the arm our society need. Maybe.

Babae at Baril is one of the three recipients of production grants amounting to P1.5 million each from QCinema and is presented by Cignal Entertainment in partnership with Epicmedia. The movie will be competing along with Glenn Barit’s The Cleaners and Arnel Barbarona’s Kaaway sa Sulod, and against entries from Thailand, Indonesia, Malaysia, Laos, and China.